Windrush 70: the next stage (live calypso!)

Two members of the Historycal Roots team attended the next in the planned series of Windrush 70 events recently. Hosted at the welcoming MAA MAAT Cultural Centre in Tottenham High Road, the event was led by Arthur Torrington, ‘Mr Windrush’ himself.

There were informative talks about Haiti (Cecil Guzmore) and Reparations (Esther Stanford-Xosei). Both speakers were deeply knowledgeable about their subjects and their talks were thought provoking but would it be frivolous of me to confess that the contributions from the several calypsonians present (including Alexander ‘D’ Great and DeAlberto) were the highlight of the day?

I mentioned to Alexander during a break that I hadn’t been able to fully enjoy his contribution in Windrush Square on Remembrance Sunday because one of the WW2 veterans had asked me to use his i-pad to take photos, I’d never used an i-pad before so this was rather nerve wracking as there was only one chance to get the shots he wanted. When Alexander was asked to fill in a brief gap in proceedings while the IT was set up for the next session he reprised his calypso from the previous weekend and graciously agreed that I could film and share it. What a trouper he is, keeping his focus while people scrabbled around with the IT behind him!

This song was used for the closing credits of a BBC programme ‘Fighting for King and Country’. If you share a love of calypso and would like to know more about Alexander’s work you can find him here: http://www.alexanderdgreat.net/Home.html

‘Remembered – In Memoriam’

Following the commemoration event in Windrush Square on Remembrance Sunday ‘Remembered: In Memoriam’ was officially launched in Brixton library:

This is a handsome hardcover volume, described as ‘an anthology of African and Caribbean experience in WW1 & WW2’.

A number of the writers who contributed were present including Nairobi Thompson who hosted the event and did her best to keep co-editor Jak Beula’s excited enthusiasm in check (a difficult job, adroitly done).

Mind you, his enthusiasm was understandable, this is an important publication which, as he proudly pointed out, includes a message of support from Her Majesty The Queen.

In addition to Nairobi, other writers on stage included Professor Gus John, Marika Sherwood, Esther Stanford-Xosei, Dr Onyeka Nubia and Patrick Vernon. Other authors and special guests were in the audience and it was a real pleasure to meet Walter Tull’s great nephew who had traveled down from Scotland specially for the event. If I understood correctly Nairobi is herself a great, great niece of Walter so this was something of a Tull family gathering. Walter’s great nephew is definitely ‘White’ and Nairobi is equally definitely Black, seeing them together was a great visual metaphor for the joys of living in multi cultural Britain.  I was also able to shake the hand of Phil Vasili author of several books about pioneering Black footballers that grace the shelves of Historycal Roots.

The book was on sale at the event but if you want a copy now I think you will probably have to contact the Nubian Jak Community Trust: http://nubianjak.org/  It’s well worth the effort.

Blue Plaque for Cy Grant

Congratulations to the tireless Nubian Jak for arranging another Blue Plaque to commemorate the contribution Black men and women have made to British society, well over thirty plaques have now been erected.

The latest was unveiled by the mayor of Haringey, Stephen Mann, fittingly enough, on Remembrance Day, 11th November 2017. The local MP, Catherine West was also present. The plaque was unveiled in Jackson’s Lane at the home of Cy Grant.

    

Cy died in 2010 after having lived a (very!) full and varied life. Born in what was then British Guiana in 1919 he served in the RAF as a navigator during World War 2. On only his third mission his plane was shot down. He was able to bale out but was taken prisoner by the Germans and spent two years as a prisoner of war.

After the war he studied law and qualified as a barrister but racial prejudice prevented him from finding work. He embarked on an acting career and found success in films (including a role alongside Richard Burton in ‘The Sea Wife’ [1957]) and on stage.

He also embarked on a singing career and it was as a calypso singer on the long running ‘Tonight’ programme, singing about a topical news item, that he came to the notice of both the boy who would grow up to become the Mayor of Haringey and also the author of this blog. He was one of the very few Black faces on TV at that time. Fans of ‘Captain Scarlet and the Mysterons’ will also remember Cy as the voice of Lieutenant Green.

He was also an activist who was instrumental in setting up the Drum Arts Centre in North London and later as Director of the Concord Multicultural Festvals. Oh, and he found time to write too.

A blue plaque seems a very fitting commemoration of such a life, just reading about his many achievements makes me feel tired!

 

Remembrance Sunday in Windrush Square

The sun shone on Windrush Square on Sunday 12th November for the first Remembrance Sunday since the unveiling of the War Memorial there. Unfortunately there was a cold, biting wind as well but that didn’t put off the crowd that gathered to commemorate those who died in the two world and other wars. There were several speakers, including ex-servicemen who had served in the 2nd World War:

The ceremony had a uniquely ‘Brixton’ flavour with, in addition to the traditional laying of wreaths, speeches and playing of the ‘Last Post’, the ceremony managed to incorporate African drumming, the summoning of ancient spirits and a specially written calypso. Congratulations to calypsonian, Alexander D Great, on getting his fingers to work on such a cold day!

John Blanke Symposium

Two thirds of the Historycal Roots team attended:

John Blanke is one of the few Black Tudors we can put a name to and this event, held at the British Library in London, was a celebration of his life. A project, the John Blanke Symposium, led by Michael Ohajuru, had invited people to re-imagine his life from a range of different perspectives.

Although facts are scarce, an image of him survives:

The author and historian, Miranda Kaufman, was there to set out the historical context. Little is known of Blanke’s life, but, from papers held at the National Archives, we know that he was paid 8d per day by Henry VII, and a surviving document records a payment of 20 shillings to “John Blanke the blacke trumpet” as wages for the month of November 1507, with payments of the same amount continuing monthly through the next year. He also successfully petitioned Henry VIII for a wage increase.

There is also a record of him having married and so, as the poet John Agard pointed out later in the evening, there is probably John Blanke DNA still out there in the populace today! In addition to two poems from John, there were contributions from artists (Holly Graham, Adelaide Damoah, Charmaine Watkiss and Ebun Culwin) a sculptor (Fawokan),  another poet (David Nieta) and a rapper (Valentine Ogbunba). We arrived a little late so apologies to anyone we missed.

This was a thoroughly enjoyable evening and an intriguing approach to bringing a little known Black Tudor to life.

The event is being repeated (perhaps with a different group of presenters) on Friday 1st December at the College of Arms (130, Queen Victoria Street, London EC4V 4BT) from 18.30 to 20.30, well worth a visit if you are in the area.

Through The Glass Darkly: David Olusoga at the National Portrait Gallery

The David Olusoga fan club (otherwise known as the Historycal Roots team) were out in force at the National Portrait Gallery in London recently for his talk ‘Through the Glass Darkly: Black History and Portraiture’. David can be relied on to give an interesting talk and this session, in spite of his admission that he is a historian rather than an art historian, was no exception.

Focusing on the Georgian period, he used a small number of paintings to illustrate his talk about the doubtful status of Black people in that period. He opened with two relatively well known portraits: one of Equiano (although David suggested it may actually be of a young Ignatius Sancho) and one that is definitely of Sancho. Black figures in other paintings of the period are invariably anonymous and peripheral, in the painting to signify the wealth and status of the painting’s main subject. The black figures are often ‘exotically’ (and inappropriately) costumed, shown holding exotic fruits and painted with a pearl earring to enhance the contrast with their Black skin.

Estimates of the number of Black people in the UK (mainly London) during this period vary widely from 3,000 up to 60,000 and the lack of hard evidence about their lives is clearly frustrating for historians. Much of the evidence that does exist comes from adverts placed concerning people who had run away from their masters. They were frequently accused of theft on two counts: they had ‘stolen’ their own body which was owned by their master; and they had stolen the slave collar worn to help identify them if they ran away.  It wasn’t until the famous Somerset case of 1772 that the legal position was clarified to make it clear that, oversimplifying somewhat, a Black man could not be a slave on UK soil.

The question and answer session after the talk was also interesting. Clearly we can’t repeat it all here but, in connection with how Black history is taught in schools, David recalled a school visit he had made as a child to a cotton mill in Lancashire. The entire process of spinning raw cotton into yarn and the subsequent sale and distribution of cloth (a mainstay of the UK economy at the time) was explained in minute detail. but there was no reference to the system of slave labour by which the cotton was produced. David made the point that at some stage omitting to tell a key part of the story is equivalent to a lie. Seen in this light the omission of Black people from history begins to look less like an accident and more like a deliberate strategy.

Afterwards there was a book signing. Although we already have signed copies of his books this didn’t stop us having a chat!

What’s Happening in Black British History?

This was the intriguing title for a workshop facilitated by the Institute of Commonwealth Studies. Certainly the title was intriguing enough to entice all three members of the Historycal Roots team to the University of London recently.

The advertised presence of David Olusoga as the keynote speaker was undoubtedly part of the attraction. If there is such a thing as a ‘celebrity historian’ (and we think there is) then David is almost certainly one of them. Unfortunately, thanks to the vagaries of the British transport system, he was unable to make it – a big disappointment.

To their credit, the organisers improvised a session with several of the authors who were present on the issues involved in getting a history book published. Whilst not fully compensating for David Olusoga’s absence it was nevertheless a worthwhile session.

Jyota Mheta from the BBC gave some interesting behind the scenes background to the making of ‘Black and British: Forgotten History’. He described it as ‘a landmark series’ and it’s difficult to disagree. All four episodes are still available on YouTube and they definitely repay repeated viewing. Episode 1 is here: https://www.youtube.com/watch?v=kQYsewXjNlU

Another attraction of the day was the session on ‘What do young people see happening in Black British History?’ with students from the BRIT school in Croydon. The BRIT school is best known for alumni such as Adele and not somewhere you might normally associate with the study of history so it was interesting to hear the students’ enthusiastic discussion of a range of historical topics – very refreshing.

The youngsters were followed by three authors talking about their work. The most accessible was probably Miranda Kaufman who spoke about her book ‘Black Tudors – The Untold Story’. According to the blurb this ‘reveals the absorbing stories of some of the Africans who lived free in Tudor England’, Miranda did a good job of living up to the hype.

An interesting Christmas present for someone perhaps?

The ticket price included a drinks reception in the University’s Senate House which was an undeniably pleasant way to round off an interesting day.

The Walker Brothers and Their Legacy: Book Launch at Clapham Library

Clapham library in South London may not sound the grandest of places to launch ‘The Walker Brothers and Their Legacy’ but it was a particularly appropriate venue – this is where Maria Downer’s journey of discovery started three years ago.

Almost three years ago to the day she did a presentation to a group of children, Somali refugees, as part of Lambeth’s Black History Month celebrations. Then, she told them about her father and two uncles, three Black brothers who fought and served in World War One.  Since that day, with the help of the Historycal Roots team, she has discovered so much more about the brothers’ story. Enough to fill a book!

At the event she was able to share her personal journey of discovery alongside details of the fascinating (and unique?) story of how the brothers served their country.

The event attracted a wide age range and it was good to see the younger generation represented:

During her talk, Maria discussed the brothers’ ‘legacy’  but, of course, she is part of that legacy herself. One of her sons was able to attend and he brought the youngest descendant of Charles Milton Walker:

That’s one young lady who will never have cause to doubt that Black soldiers fought in the ‘Great War’ as her great grandfather was one of them!

We don’t think there’s any rule that says you can only launch a book once so another event will be taking place at the Guyanese High Commission in November.

Windrush 70

Two thirds of the Historycal Roots team attended the launch event of ‘Windrush 70’.

2018 will mark the 70th anniversary of the arrival of the Empire Windrush at Tilbuty in Kent. On board were almost 500 migrants from the Caribbean, coming to England to help rebuild a country shattered by the effort involved in defeating Hitler. Among the arrivals were people like: Sam King (a future Mayor of Southwark in London);  Aldwyn Roberts (better known as the calypsonian, ‘Lord Kitchener’); and Egbert Moore (another calypsonian, ‘Lord Beginner’).

It was a splendid launch event with good food, poetry and music. Arthur Torrington, CBE, and others talked about the Windrush 70 project which aims to identify and document the contributions made to society by 70 individuals who were on the Windrush. One of the men present at the launch was Allan Wilmot, who served his country during World War Two and is still very much in possession of all his faculties at the age of 92.  Allan actually arrived in England in 1947 on board the HMS Almanzora but was at Tilbury to meet his brother Harold who arrived on the Windrush.

We are flattered that Arthur Torrington has asked members of the Historycal Roots team to help him on this project.

You can find the Windrush 70 website here: http://www.windrush70.com/

 

A talk by Gillian Spragg

We attended a talk recently on ‘The Impact of African Music on Classical’.

The presenter, Gillian Spragg, had some interesting points to make. She started with Chevalier St George (‘The Black Mozart’) and discussed, among others, Samuel Coleridge-Taylor (who has been called ‘The Black Mahler’). Along the way she also talked about the music of Ignatius Sancho, Dvorak and Delius.

I always feel that if I come away from any presentation having learnt one new thing, the time has not been wasted. Gillian’s talk introduced me to the music of Delius, someone I’d heard of but knew little about.  A white composer, born in Leeds of German parents, there was a surprising twist to his life story involving an illegitimate child with a Black woman in Florida. You can find the story in his Wikipedia entry if you want to know more.

Gillian was badly let down by the library’s IT which steadfastly refused to co-operate in spite of much cajoling. IT is the bane of every presenter’s life. I recall an event where my sole responsibility was to play a DVD. It worked perfectly in the trial run but then, for reasons known only to itself, played at the wrong speed when the audience was watching. I didn’t notice at first but when we got to a bit where Arthur Torrington, CBE, was being interviewed to camera on the DVD he came out sounding like Mickey Mouse after an unfortunate accident with some helium. To make it even more embarrassing Arthur was in the room watching.

As any good presenter must, Gillian soldiered on, not allowing the problems to faze her and it was a pleasure to chat to her afterwards.