Through The Glass Darkly: David Olusoga at the National Portrait Gallery

The David Olusoga fan club (otherwise known as the Historycal Roots team) were out in force at the National Portrait Gallery in London recently for his talk ‘Through the Glass Darkly: Black History and Portraiture’. David can be relied on to give an interesting talk and this session, in spite of his admission that he is a historian rather than an art historian, was no exception.

Focusing on the Georgian period, he used a small number of paintings to illustrate his talk about the doubtful status of Black people in that period. He opened with two relatively well known portraits: one of Equiano (although David suggested it may actually be of a young Ignatius Sancho) and one that is definitely of Sancho. Black figures in other paintings of the period are invariably anonymous and peripheral, in the painting to signify the wealth and status of the painting’s main subject. The black figures are often ‘exotically’ (and inappropriately) costumed, shown holding exotic fruits and painted with a pearl earring to enhance the contrast with their Black skin.

Estimates of the number of Black people in the UK (mainly London) during this period vary widely from 3,000 up to 60,000 and the lack of hard evidence about their lives is clearly frustrating for historians. Much of the evidence that does exist comes from adverts placed concerning people who had run away from their masters. They were frequently accused of theft on two counts: they had ‘stolen’ their own body which was owned by their master; and they had stolen the slave collar worn to help identify them if they ran away.  It wasn’t until the famous Somerset case of 1772 that the legal position was clarified to make it clear that, oversimplifying somewhat, a Black man could not be a slave on UK soil.

The question and answer session after the talk was also interesting. Clearly we can’t repeat it all here but, in connection with how Black history is taught in schools, David recalled a school visit he had made as a child to a cotton mill in Lancashire. The entire process of spinning raw cotton into yarn and the subsequent sale and distribution of cloth (a mainstay of the UK economy at the time) was explained in minute detail. but there was no reference to the system of slave labour by which the cotton was produced. David made the point that at some stage omitting to tell a key part of the story is equivalent to a lie. Seen in this light the omission of Black people from history begins to look less like an accident and more like a deliberate strategy.

Afterwards there was a book signing. Although we already have signed copies of his books this didn’t stop us having a chat!

What’s Happening in Black British History?

This was the intriguing title for a workshop facilitated by the Institute of Commonwealth Studies. Certainly the title was intriguing enough to entice all three members of the Historycal Roots team to the University of London recently.

The advertised presence of David Olusoga as the keynote speaker was undoubtedly part of the attraction. If there is such a thing as a ‘celebrity historian’ (and we think there is) then David is almost certainly one of them. Unfortunately, thanks to the vagaries of the British transport system, he was unable to make it – a big disappointment.

To their credit, the organisers improvised a session with several of the authors who were present on the issues involved in getting a history book published. Whilst not fully compensating for David Olusoga’s absence it was nevertheless a worthwhile session.

Jyota Mheta from the BBC gave some interesting behind the scenes background to the making of ‘Black and British: Forgotten History’. He described it as ‘a landmark series’ and it’s difficult to disagree. All four episodes are still available on YouTube and they definitely repay repeated viewing. Episode 1 is here: https://www.youtube.com/watch?v=kQYsewXjNlU

Another attraction of the day was the session on ‘What do young people see happening in Black British History?’ with students from the BRIT school in Croydon. The BRIT school is best known for alumni such as Adele and not somewhere you might normally associate with the study of history so it was interesting to hear the students’ enthusiastic discussion of a range of historical topics – very refreshing.

The youngsters were followed by three authors talking about their work. The most accessible was probably Miranda Kaufman who spoke about her book ‘Black Tudors – The Untold Story’. According to the blurb this ‘reveals the absorbing stories of some of the Africans who lived free in Tudor England’, Miranda did a good job of living up to the hype.

An interesting Christmas present for someone perhaps?

The ticket price included a drinks reception in the University’s Senate House which was an undeniably pleasant way to round off an interesting day.

The Walker Brothers and Their Legacy: Book Launch at Clapham Library

Clapham library in South London may not sound the grandest of places to launch ‘The Walker Brothers and Their Legacy’ but it was a particularly appropriate venue – this is where Maria Downer’s journey of discovery started three years ago.

Almost three years ago to the day she did a presentation to a group of children, Somali refugees, as part of Lambeth’s Black History Month celebrations. Then, she told them about her father and two uncles, three Black brothers who fought and served in World War One.  Since that day, with the help of the Historycal Roots team, she has discovered so much more about the brothers’ story. Enough to fill a book!

At the event she was able to share her personal journey of discovery alongside details of the fascinating (and unique?) story of how the brothers served their country.

The event attracted a wide age range and it was good to see the younger generation represented:

During her talk, Maria discussed the brothers’ ‘legacy’  but, of course, she is part of that legacy herself. One of her sons was able to attend and he brought the youngest descendant of Charles Milton Walker:

That’s one young lady who will never have cause to doubt that Black soldiers fought in the ‘Great War’ as her great grandfather was one of them!

We don’t think there’s any rule that says you can only launch a book once so another event will be taking place at the Guyanese High Commission in November.

Windrush 70

Two thirds of the Historycal Roots team attended the launch event of ‘Windrush 70’.

2018 will mark the 70th anniversary of the arrival of the Empire Windrush at Tilbuty in Kent. On board were almost 500 migrants from the Caribbean, coming to England to help rebuild a country shattered by the effort involved in defeating Hitler. Among the arrivals were people like: Sam King (a future Mayor of Southwark in London);  Aldwyn Roberts (better known as the calypsonian, ‘Lord Kitchener’); and Egbert Moore (another calypsonian, ‘Lord Beginner’).

It was a splendid launch event with good food, poetry and music. Arthur Torrington, CBE, and others talked about the Windrush 70 project which aims to identify and document the contributions made to society by 70 individuals who were on the Windrush. One of the men present at the launch was Allan Wilmot, who served his country during World War Two and is still very much in possession of all his faculties at the age of 92.  Allan actually arrived in England in 1947 on board the HMS Almanzora but was at Tilbury to meet his brother Harold who arrived on the Windrush.

We are flattered that Arthur Torrington has asked members of the Historycal Roots team to help him on this project.

You can find the Windrush 70 website here: http://www.windrush70.com/

 

A talk by Gillian Spragg

We attended a talk recently on ‘The Impact of African Music on Classical’.

The presenter, Gillian Spragg, had some interesting points to make. She started with Chevalier St George (‘The Black Mozart’) and discussed, among others, Samuel Coleridge-Taylor (who has been called ‘The Black Mahler’). Along the way she also talked about the music of Ignatius Sancho, Dvorak and Delius.

I always feel that if I come away from any presentation having learnt one new thing, the time has not been wasted. Gillian’s talk introduced me to the music of Delius, someone I’d heard of but knew little about.  A white composer, born in Leeds of German parents, there was a surprising twist to his life story involving an illegitimate child with a Black woman in Florida. You can find the story in his Wikipedia entry if you want to know more.

Gillian was badly let down by the library’s IT which steadfastly refused to co-operate in spite of much cajoling. IT is the bane of every presenter’s life. I recall an event where my sole responsibility was to play a DVD. It worked perfectly in the trial run but then, for reasons known only to itself, played at the wrong speed when the audience was watching. I didn’t notice at first but when we got to a bit where Arthur Torrington, CBE, was being interviewed to camera on the DVD he came out sounding like Mickey Mouse after an unfortunate accident with some helium. To make it even more embarrassing Arthur was in the room watching.

As any good presenter must, Gillian soldiered on, not allowing the problems to faze her and it was a pleasure to chat to her afterwards.

Chineke! – Letter of the month

At Historycal Roots we like to think of ourselves as ‘championing’ the work of Chineke! Who or what is (are?) Chineke! you may very well ask?

Anyone who attends concerts of so called ‘classical’ music will know that the orchestras are invariably, almost exclusively, made up of White musicians. A Black face on stage is a rarity. Audiences generally tend to reflect this. Even at the popular BBC Prom concerts the number of BME (Black and Minority Ethnic) faces in the audience can usually be counted on the fingers of both hands (sometimes only one hand might be needed).

Chineke! is an orchestra made up almost entirely of BME players. We have been to three of their concerts; twice at the Royal Festival Hall on London’s South Bank and once at the Royal Albert Hall when they appeared during this year’s Proms programme. We were sorry that their concert at Birmingham’s Symphony Hall didn’t coincide with one of our visits to that city – especially as they performed a piece by our beloved Samuel Coleridge-Taylor.

What is very noticeable about a Chineke! concert is that, as well as the very different appearance of the orchestra, the audience is also predominantly BME and, incidentally, much younger than usual for a classical concert.

This was so noticeable that we felt moved to write to ‘Gramophone’ magazine. Our letter obviously stuck a chord as it was chosen as ‘Letter of the Month’.

Do keep an eye open for any Chineke! concerts in your area, even if you aren’t particularly ‘into’ classical music the Chineke! experience may surprise you.

A very special photograph

A lot of people helped with the production of our book ‘The Walker Brothers and Their Legacy’ (see the ‘Forgotten History’ pages) but one of the nicest surprises was when a photograph of Milton Walker turned up in Guyana. The photo was considered so precious by the family that they didn’t want to entrust it to the postal service and so we had to wait for a relative to visit England and bring it with them.

Maria, co-author of the book, had never seen this photo of her father in his army uniform before so you can imagine how she felt.

It was small, a bit torn and tea stained. But, in spite of these drawbacks it was a wonderful portrait of a young man about to embark on a great adventure. We debated whether to include it in the book as it was (authentic) or whether we should try to get it enhanced to improve the clarity. In the end we opted to enhance the image and that’s what you will see in the book if you buy it. We think we made the right decision but judge for yourself, here are the ‘before’ and ‘after’ images:

The job was entrusted to Stuart Gleave. He described what he did as being a bit like performing a skin graft, copying a ‘clean’ piece of the picture and pasting it in over a damaged area. You can see many examples of his work at http://www.stuartgleavephotography.com/

 

Book Launch – The Walker Brothers and Their Legacy

Our book about three Black brothers who enlisted with the British West Indies Regiment and served in World War One is now available through this site (see our ‘Forgotten History’ section) or Amazon. The book is co-authored by David Gleave of Historycal Roots and Maria Downer who is the daughter of one of the brothers.

The book opens in Clapham Library, South London, with Maria talking to a group of Somali refugee children about her father as part of a Black History Month event. It goes on to tell the story of the three brothers following them from their birthplace in Barbados, via the colony of British Guiana, to the battlefields of Egypt and Palestine. Only two returned home. The book also tells of a daughter’s search for the truth about the part her father and two uncles played in the war, a search which took her to Marseilles in January 2017 to visit the grave of one of her uncles.

This was truly a ‘world war’ but the role Black people played in it has often been ignored by the history books. This book seeks to play its part in redressing the balance. In telling the story of the three Walker brothers the book makes a unique contribution to the history of Black participation in the war.

A launch is planned, fittingly at Clapham Library, on Friday 27th October and we will publish more details nearer the time.

Samuel Coleridge-Taylor Exhibition in Birmingham

In Birmingham for a meeting of the Historycal Roots team, we noticed that there was a Samuel Coleridge-Taylor exhibition listed in the city’s Black History Month literature. Meeting over, we dashed to Birmingham University’s leafy Edgbaston campus and made our way to the main library which was where the exhibition was supposed to be. On arrival we were confidently pointed by a librarian in the direction of a display which was …. about Lenin.

Returning to the main desk, a second librarian made several phone calls, checked his computer several times, went for a consultation and finally established that the exhibition was actually at the Fine Arts Institute on the other side of the campus.

Given our interest in ‘hidden history’ we couldn’t help but note the irony.

The Fine Arts Institute did indeed have two display cabinets that contained original scores and programmes (including one signed by both SCT himself and Edward Elgar). It was interesting but, in truth, a little underwhelming.  Nor was it very easy to take any decent photos because of the light reflecting off the display cabinets:

Fortunately the Institute had a pretty impressive collection of paintings and we had a good look round, although I admit it did degenerate into a game of ‘spot any representation of Black people’.  There were five or six figures depicted, nicely rendered but very much in peripheral roles in the scenes. Here is an example:

The Coleridge-Taylor exhibition was a bit of a missed opportunity but, excuse our cynicism, no doubt someone was able to tick a box to show they had contributed to Black History Month.

 

Voices Of Black Opera

Generally at Historycal Roots we aim to bring forgotten Black history to light, last night it felt a little bit more like we were involved in making it. That is probably an exaggeration but attending ‘Prelude – Voices Of Black Opera’ did feel a bit like history in the making.

Our involvement with VOBO came about by accident when it turned out that our neighbour from only three doors away is the leading light in The Black British Classical Foundation (this is London where actually speaking to your neighbours is a bit of a rarity!). We were pleased to play a (very) small part in helping Vincent Osborne with the organisation of the concert at the prestigious St John’s, Smith Square.

The concert featured arias and duets from a number of well known operas by the likes of Verdi and Puccini and closed with several negro spirituals. One of the encore pieces (I regret I didn’t catch what it was) was really, spine tingly beautiful. Anyone who likes opera would have loved this event, the singing was magnificent throughout.

You can find out more about Vincent’s work at https://www.bbcf.uk